Every piece is written freehand onto canvas, in one pass, with no undo. If a letterform looks a little like mine rather than a textbook's, that is because it is.
The work
Each piece is composed by hand — the letters balanced, stacked and interlocked until the whole sits right. Painted to order, in classic black or in colours of your choosing. Each one links through to its listing.
Al-Kafirun, Al-Ikhlas, Al-Falaq and An-Nas, each written as a circular medallion. They are made as a set and hang as one.
The final chapter of the Quran — a seeking of refuge in the Lord of mankind. Traditionally recited for protection.
"God willing." The phrase spoken before any plan or promise — quiet, everyday, and deeply held.
Refuge in the Lord of daybreak from the harm of what He created. One of the four Quls.
Four short verses on the oneness of God, said to equal a third of the Quran in reward.
A short, direct declaration of faith — "to you your religion, and to me mine."
How it is made
It is the most demanding of the classical Arabic scripts, and the one calligraphers give a lifetime to. I am self-taught and somewhere in the middle of that lifetime, still practising.
In Thuluth nothing is freehand in the loose sense. Every letter is measured in dots — the rhombic mark the nib leaves when pressed to the page. An alif stands a fixed number of dots tall, and every curve is struck against that unit. A single word can take days to balance properly.
A reed pen cannot hold a line across canvas weave, so these are written with an acrylic paint marker, straight onto the surface. There is no undo. A piece takes two to three hours, and nothing about it is reversible — which is also why no two are ever identical, even when the words are the same.
Commissions
This is my favourite part of the work. A name, two names for a wedding, a child's birth details, or a phrase that matters to you — composed in Thuluth for your word alone.
First
In Arabic or in English transliteration — either is fine. Mention any colours you have in mind.
Then
I send it for approval before anything is painted, and keep adjusting until you are happy.
Next
Freehand onto canvas, in one pass. Two to three hours, then a day to dry.
Finally
I send a photograph before it goes, so you see the finished piece first.
On colour
Most pieces are made in classic black, but the outline, fill, vowel marks and the Word of God can each be set separately. One commission was a full rainbow across a circular medallion — still one of my favourite things I have made.
Where to find the work
Enquiries
For commissions, questions about a piece, or anything else. I usually reply within a few hours.